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What Taylor Swift Taught Us About Owning Our Stories

  • Jun 2
  • 3 min read


When Taylor Swift announced she would re-record her early albums, many saw it as a savvy business move — but those of us in the world of storytelling recognized something even greater: a declaration of creative sovereignty.


Her decision wasn’t just about music. It was about power. It was about ownership. And more than anything, it was about legacy.


Because owning your story is never just about today’s streams or sales. It’s about tomorrow’s freedom.



I come from a different medium — books, not albums. But the truth Taylor reminded the world of is universal to all creatives: you deserve to own the narrative you’ve built.


As the founder of Upland Studios, a bespoke book publishing atelier, I’ve worked with visionaries, artists, and founders who — like Taylor — want to do more than “release a product.” They want to build a legacy on their own terms. They want to tell the truth without asking for permission. They want to write their names into history — not just in ink, but in ownership.


So, let’s break down exactly what Taylor Swift taught us — and why it matters now more than ever for authors, creatives, and cultural architects.



The Masters: More Than Music


To understand the weight of what Taylor did, you have to understand the concept of “masters.” In the music industry, your masters are the original recordings — and whoever owns them controls how they’re used. That includes licensing, streaming profits, sync placements in film and advertising, and the right to repackage or restrict access to the work.


Taylor didn’t own the masters to her first six albums — the ones that made her a household name, filled stadiums, and gave language to heartbreak, ambition, and youth for millions. When those rights were sold without her consent, she made a decision most wouldn’t have dared: she vowed to re-record her entire early catalog so she could regain control of her work and redirect the value back to herself.


That is the definition of creative courage.


She didn’t just take the scenic route — she blazed a new one.



What This Means for Authors


Now let’s talk books.

Most traditional publishing contracts still operate on a model that prioritizes scale over sovereignty. Authors often sign away the rights to their own stories in exchange for visibility. Their work may be edited to fit a trend, released on a schedule that doesn’t align with their vision, or marketed without their input. And when the royalties roll in — long after the launch — they often see only a fraction of the value they created.


In essence: many authors give away their “masters” the minute they sign the deal.


At Upland Studios, we’re rewriting that chapter.

We build beautiful books — yes. But more than that, we build business models where authors retain full creative control and intellectual property. They own their story in every format: print, digital, audio, NFT, and cinematic adaptation. They control how it’s licensed, how it evolves, and how it lives beyond the page.


We’re not just producing books. We’re producing power.



Legacy Isn’t Handed to You — You Build It


Taylor Swift didn’t wait for permission to protect her legacy. She used her resources, her audience, and her unshakeable commitment to her work to take back what was hers.

Authors deserve the same.


Your book isn’t just a project — it’s proof. Of your vision. Of your wisdom. Of your lived experience and creative fingerprint. And when you own it, you have the ability to:


  • Repackage it as a limited-edition collector’s item.

  • Adapt it into a film, docuseries, or immersive exhibition.

  • Create a generational gift that lives beyond your lifetime.

  • License it on your terms.

  • Monetize it again and again — with no middlemen.


This is not vanity publishing. This is visionary publishing.



You Don’t Need a Gatekeeper to Be Great


Taylor Swift didn’t need a label to validate her worth. And neither do you.

The publishing world is evolving. With new technologies, hybrid models, and luxury-driven platforms like Upland Studios, authors can now retain the essence of literary tradition while stepping fully into modern ownership models.


You can create a work of art — and keep the deed.



So here’s what Taylor taught us — and what I’ll never forget:


You don’t just write your story.

You own it. You defend it. You elevate it.

And when you do, you make space for others to do the same.


Let’s turn the page — together.


—April Sheris

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